Skeletons and Self-Portraits: Emily Dash challenges representations of gender and disability
[{"id":"24","title":"Story","subCats":[{"id":"53","title":"Sponsored"},{"id":"208","title":"Podcast"}]},{"id":"155","title":"Profiles","subCats":[{"id":"27","title":"Users"},{"id":"116","title":"Contributor"}]},{"id":"157","title":"Booms"}]
[{"title":"Issues/Alcohol & Drugs","id":96},{"title":"Issues/All Issues","id":5},{"title":"Issues/Animal Welfare","id":6},{"title":"Issues/Arts & Culture","id":93},{"title":"Issues/Cost of Living","id":94},{"title":"Issues/Disability","id":90},{"title":"Issues/Discrimination","id":108},{"title":"Issues/Employment","id":97},{"title":"Issues/Environment","id":8},{"title":"Issues/First Nations","id":11},{"title":"Issues/Healthcare","id":10},{"title":"Issues/Homelessness","id":91},{"title":"Issues/Housing","id":98},{"title":"Issues/Human Rights","id":95},{"title":"Issues/LGBTQIA+","id":7},{"title":"Issues/Men's Health","id":101},{"title":"Issues/Mental Health","id":13},{"title":"Issues/Multiculturalism","id":100},{"title":"Issues/Policy","id":99},{"title":"Issues/Refugees","id":86},{"title":"Issues/Senior Citizens","id":12},{"title":"Issues/Sex","id":102},{"title":"Issues/Sustainability","id":9},{"title":"Issues/Technology","id":89},{"title":"Issues/Vaping","id":676},{"title":"Issues/Violence","id":14},{"title":"Issues/Women","id":87},{"title":"Issues/Youth","id":92}]
[{"issue":"Animal Welfare","articles":[{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/stijn-te-strake-UdhpcfImQ9Y-unsplash.jpg","title":"Rejecting speciesism could save us from the climate crisis and future pandemics","id":"817"},{"thumb":"https:\/\/thequo.com.auimages\/users\/453\/posts\/501\/501.jpg","title":"Protecting Pets and Families","id":"501"},{"thumb":"https:\/\/thequo.com.auimages\/users\/388\/posts\/483\/483.png","title":"Kosciusko National Park is worth fighting for","id":"483"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/248\/248_thumb.jpg","title":"Holiday gifts that actually give","id":"248"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/12\/12_thumb.jpg","title":"Empty The Tanks: A Movement To End Marine Mammal Captivity","id":"12"}]},{"issue":"LGBTQIA+","articles":[{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/pablo-padilla-B0U_OFXXSNo-unsplash.jpg","title":"Bending the Bars marks forty years of the dicriminalisation of homosexuality in Victoria","id":"786"},{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/Screenshot 2020-04-02 14.31.30.png","title":"Local drag queens\u2019 identities are being continuously challenged in Tasmania","id":"666"},{"thumb":"https:\/\/thequo.com.auimages\/users\/540\/posts\/492\/492.png","title":"Queer Muslims, Islamophobia and mental health in the wake of Christchurch","id":"492"},{"thumb":"https:\/\/thequo.com.auimages\/users\/388\/posts\/491\/491.png","title":"Becoming female: Chaye's transition","id":"491"},{"thumb":"https:\/\/thequo.com.auimages\/users\/381\/posts\/481\/481.jpg","title":"Supporting Minority Voices: Sydney theatre to watch in 2019","id":"481"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/361\/361_thumb.jpg","title":"Queer festival Fambo celebrates all kinds of families","id":"361"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/300\/300_thumb.jpg","title":"Read the Vibe: the fight to keep Newtown weird, safe and unapologetically queer","id":"300"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/252\/252_thumb.jpg","title":"It was a win, but at what cost?","id":"252"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/239\/239_thumb.jpg","title":"TJ's story on Transgender Day of Remembrance","id":"239"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/142\/142_thumb.jpg","title":"What would Fred Nile's gay-only nation state look like?","id":"142"}]},{"issue":"Environment","articles":[{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/stijn-te-strake-UdhpcfImQ9Y-unsplash.jpg","title":"Rejecting speciesism could save us from the climate crisis and future pandemics","id":"817"},{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/mick image.jpg","title":"Bloody hard work: Reforms and regulations desperately needed to solve farming labour crisis","id":"784"},{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/Screenshot 2020-07-27 14.32.19.png","title":"Big green profit machine: meet the companies making sustainability profitable\u00a0","id":"768"},{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/infullbloomjellyfish.png","title":"In full bloom: What jellyfish tell us about our oceans ","id":"670"},{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/Screenshot 2020-03-19 15.36.50.png","title":"Climate Act Now ","id":"657"},{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/Screenshot 2020-02-28 17.35.42.png","title":"Green New What? ","id":"654"},{"thumb":"https:\/\/thequo.com.au\/images\/users\/539\/posts\/Screenshot 2019-10-03 16.56.04.png","title":"Climate action is moving at a glacial pace ","id":"589"},{"thumb":"https:\/\/thequo.com.auimages\/users\/438\/posts\/504\/504.jpg","title":"A Brief History of Climate Terminology","id":"504"},{"thumb":"https:\/\/thequo.com.auimages\/users\/379\/posts\/498\/498.png","title":"Sewing the way to a plastic-free NSW","id":"498"},{"thumb":"https:\/\/thequo.com.auimages\/users\/453\/posts\/493\/493.jpg","title":"Australia's Seaweed Warrior ","id":"493"}]},{"issue":"Sustainability","articles":[{"thumb":"https:\/\/thequo.com.auimages\/users\/456\/posts\/499\/499.png","title":"Thyme for change: Schools plant local bush food gardens","id":"499"},{"thumb":"https:\/\/thequo.com.auimages\/users\/379\/posts\/498\/498.png","title":"Sewing the way to a plastic-free NSW","id":"498"},{"thumb":"https:\/\/thequo.com.auimages\/users\/453\/posts\/493\/493.jpg","title":"Australia's Seaweed Warrior ","id":"493"},{"thumb":"https:\/\/thequo.com.auimages\/users\/379\/posts\/488\/488.jpg","title":"Reduce, Reuse, Reground","id":"488"},{"thumb":"https:\/\/thequo.com.auimages\/users\/388\/posts\/483\/483.png","title":"Kosciusko National Park is worth fighting for","id":"483"},{"thumb":"https:\/\/thequo.com.auimages\/users\/454\/posts\/480\/480.jpg","title":"Urban farming creates solutions for sustainable produce","id":"480"},{"thumb":"https:\/\/thequo.com.auimages\/users\/456\/posts\/476\/476.jpg","title":"Going against the flow: Making sustainable period products the norm","id":"476"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/366\/366_thumb.jpg","title":"Championing children to reduce food waste","id":"366"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/363\/363_thumb.jpg","title":"Conversations to save the planet","id":"363"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/333\/333_thumb.jpg","title":"The V-word","id":"333"}]},{"issue":"Healthcare","articles":[{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/Daisy and Casper at trial appointment.jpg","title":"A contentious experimental drug offers opportunity to children living with achondroplasia","id":"791"},{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/democracypendemic.png","title":"What does it mean to be a democracy during a pandemic?","id":"736"},{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/Screenshot 2020-04-10 15.08.59.png","title":"I go to the store to buy milk ","id":"668"},{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/Screenshot 2019-10-16 17.41.14.png","title":"Nathan Filer on why we must reimagine mental healthcare ","id":"593"},{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/Screenshot 2019-09-25 17.27.51.png","title":"Denying Asylum Seekers Medical Treatment \u2013 the Medevac law","id":"586"},{"thumb":"https:\/\/thequo.com.auimages\/users\/532\/posts\/502\/502.jpg","title":"Multicultural Care","id":"502"},{"thumb":"https:\/\/thequo.com.auimages\/users\/533\/posts\/500\/500.jpg","title":"The culture of women and pain in Australia ","id":"500"},{"thumb":"https:\/\/thequo.com.auimages\/users\/536\/posts\/496\/496.jpg","title":"Homeless Period","id":"496"},{"thumb":"https:\/\/thequo.com.auimages\/users\/458\/posts\/478\/478.jpg","title":"Born a girl during China's One Child Policy","id":"478"},{"thumb":"https:\/\/thequo.com.auimages\/users\/388\/posts\/477\/477.jpg","title":"Feeling lonely? You're not alone","id":"477"}]},{"issue":"First Nations","articles":[{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/Screenshot 2020-08-04 14.51.46.png","title":"Reimagining the past to shape the future: Contesting dominant narratives in Indigenous history","id":"771"},{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/Screenshot 2020-04-17 11.41.34.png","title":"Telling her story: the podcast challenging stereotypes of female imprisonment","id":"673"},{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/Screenshot 2020-03-27 15.58.44.png","title":"Yerrabingin: Bringing Indigenous thinking to food and design ","id":"663"},{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/Screenshot 2019-11-21 11.03.53.png","title":"#JusticeForWalker cannot be divorced from Australia\u2019s colonial legacy ","id":"618"},{"thumb":"https:\/\/thequo.com.auimages\/users\/456\/posts\/499\/499.png","title":"Thyme for change: Schools plant local bush food gardens","id":"499"},{"thumb":"https:\/\/thequo.com.auimages\/users\/457\/posts\/490\/490.png","title":"Indigenous Elders ask what it will take to stop the NT fracking industry ","id":"490"},{"thumb":"https:\/\/thequo.com.auimages\/users\/538\/posts\/484\/484.png","title":"Is the actor an agent of colonisation who we are neglecting to address?","id":"484"},{"thumb":"https:\/\/thequo.com.auimages\/users\/381\/posts\/481\/481.jpg","title":"Supporting Minority Voices: Sydney theatre to watch in 2019","id":"481"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/175\/175_thumb.jpg","title":"5 young people on why Australia needs to do better","id":"175"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/220\/220_thumb.jpg","title":"Blak Markets fight against the fake Aboriginal art trade","id":"220"}]},{"issue":"Senior Citizens","articles":[{"thumb":"https:\/\/thequo.com.au\/images\/stories\/77\/77_thumb.jpg","title":"Embracing death as a part of life: Palliative care volunteering","id":"77"}]},{"issue":"Mental Health","articles":[{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/pablo-padilla-B0U_OFXXSNo-unsplash.jpg","title":"Bending the Bars marks forty years of the dicriminalisation of homosexuality in Victoria","id":"786"},{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/Screenshot 2020-07-28 11.41.10.png","title":"Mental health in injured athletes: Elle's story ","id":"769"},{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/Screenshot 2020-04-10 15.08.59.png","title":"I go to the store to buy milk ","id":"668"},{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/Screenshot 2019-10-16 17.41.14.png","title":"Nathan Filer on why we must reimagine mental healthcare ","id":"593"},{"thumb":"https:\/\/thequo.com.auimages\/users\/388\/posts\/491\/491.png","title":"Becoming female: Chaye's transition","id":"491"},{"thumb":"https:\/\/thequo.com.auimages\/users\/382\/posts\/487\/487.jpg","title":"Boys don't cry: Talking mental health in the barbershop","id":"487"},{"thumb":"https:\/\/thequo.com.auimages\/users\/533\/posts\/479\/479.jpg","title":"Breaking the taboo: Mental health in immigrant communities ","id":"479"},{"thumb":"https:\/\/thequo.com.auimages\/users\/388\/posts\/477\/477.jpg","title":"Feeling lonely? You're not alone","id":"477"},{"thumb":"https:\/\/thequo.com.auimages\/users\/536\/posts\/475\/475.jpg","title":"The challenges of mental health services for Chinese-Australians","id":"475"},{"thumb":"https:\/\/thequo.com.auimages\/users\/382\/posts\/385\/quino-al-225747-unsplash.jpg","title":"Mental health in professional women's sport deserves a seat at the podium","id":"468"}]},{"issue":"Violence","articles":[{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/Screen Shot 2020-08-09 at 6.57.14 pm.png","title":" Supporting Lebanese Victims: A decimated capital as the economy collapses ","id":"773"},{"thumb":"https:\/\/thequo.com.auimages\/users\/453\/posts\/501\/501.jpg","title":"Protecting Pets and Families","id":"501"},{"thumb":"https:\/\/thequo.com.auimages\/users\/540\/posts\/492\/492.png","title":"Queer Muslims, Islamophobia and mental health in the wake of Christchurch","id":"492"},{"thumb":"https:\/\/thequo.com.auimages\/users\/539\/posts\/489\/489.png","title":"Three Australian Muslims talk solidarity after the Christchurch shooting","id":"489"},{"thumb":"https:\/\/thequo.com.auimages\/users\/535\/posts\/474\/474.jpg","title":"Project Coffee gives Chinese international students a safe space to say #MeToo","id":"474"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/340\/340_thumb.jpg","title":"'Me too.'","id":"340"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/312\/312_thumb.jpg","title":"No short-term solution for domestic violence","id":"312"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/245\/245_thumb.jpg","title":"Keeping the bastards honest: Why every university campus needs a Women\u2019s Collective","id":"245"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/159\/159_thumb.jpg","title":"Changing the space of gender inequality","id":"159"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/261\/261_thumb.jpg","title":"Why representation in the #MeToo movement matters","id":"261"}]},{"issue":"Refugees","articles":[{"thumb":"https:\/\/thequo.com.au\/images\/stories\/377\/377_thumb.jpg","title":"Your Tradie Has A Story: Hedayat Osyan's Social Enterprise","id":"377"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/371\/371_thumb.jpg","title":"Rural Australians for refugees: an enduring model of support?","id":"371"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/345\/345_thumb.jpg","title":"Grandmothers Against the Detention of Refugee Children","id":"345"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/342\/342_thumb.jpg","title":"Crocheting Dissent","id":"342"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/293\/293_thumb.jpg","title":"Waters skills are a universal life saver","id":"293"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/270\/270_thumb.jpg","title":"House of Welcome","id":"270"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/241\/241_thumb.jpg","title":"GROW: A mental health initiative for Australia's refugees","id":"241"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/243\/243_thumb.jpg","title":"All We Can't See: Humanising the untold stories of Nauru","id":"243"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/178\/178_thumb.jpg","title":"Benita de Wit's Manus Island Project","id":"178"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/155\/155_thumb.jpg","title":"For some refugees, art can make all the difference","id":"155"}]},{"issue":"Women","articles":[{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/Screen Shot 2021-08-05 at 3.26.26 am.png","title":"Up-close Lena Cruz on The Unusual Suspects, Filipino culture and stardom","id":"809"},{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/image006.jpg","title":"Garment workers paying the price for fast fashion industry's COVID-19 collapse","id":"790"},{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/Screenshot 2020-04-17 11.41.34.png","title":"Telling her story: the podcast challenging stereotypes of female imprisonment","id":"673"},{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/Screenshot 2020-03-24 13.38.14.png","title":"Revolutionising period education with Bright Girl Health ","id":"661"},{"thumb":"https:\/\/thequo.com.auimages\/users\/453\/posts\/501\/501.jpg","title":"Protecting Pets and Families","id":"501"},{"thumb":"https:\/\/thequo.com.auimages\/users\/533\/posts\/500\/500.jpg","title":"The culture of women and pain in Australia ","id":"500"},{"thumb":"https:\/\/thequo.com.auimages\/users\/536\/posts\/496\/496.jpg","title":"Homeless Period","id":"496"},{"thumb":"https:\/\/thequo.com.auimages\/users\/432\/posts\/494\/494.jpg","title":"Injecting Intersectionality into Art Practices ","id":"494"},{"thumb":"https:\/\/thequo.com.auimages\/users\/532\/posts\/485\/485.png","title":"Female voices of colour are making a groove on the nation's literary landscape","id":"485"},{"thumb":"https:\/\/thequo.com.auimages\/users\/458\/posts\/478\/478.jpg","title":"Born a girl during China's One Child Policy","id":"478"}]},{"issue":"Technology","articles":[{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/Screenshot 2020-04-21 10.45.25.png","title":"Experts offer unexpected solutions on how to increase public compliance and prevent a second wave of COVID-19","id":"674"},{"thumb":"https:\/\/thequo.com.auimages\/users\/453\/posts\/493\/493.jpg","title":"Australia's Seaweed Warrior ","id":"493"},{"thumb":"https:\/\/thequo.com.auimages\/users\/454\/posts\/480\/480.jpg","title":"Urban farming creates solutions for sustainable produce","id":"480"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/368\/368_thumb.jpg","title":"Blockchain: A new era of trust?","id":"368"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/364\/364_thumb.jpg","title":"Asian Australian art goes online","id":"364"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/344\/344_thumb.jpg","title":"The Facebook group delivering a hug in a box to struggling farmers","id":"344"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/167\/167_thumb.jpg","title":"Minerva uses data science to increase social impact","id":"167"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/264\/264_thumb.jpg","title":"Homelessness and digital inclusion","id":"264"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/112\/112_thumb.jpg","title":"A Woman Reimagining the Limits of Science: Kelly Wong","id":"112"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/125\/125_thumb.jpg","title":"Access to water should be democratic","id":"125"}]},{"issue":"Disability","articles":[{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/Daisy and Casper at trial appointment.jpg","title":"A contentious experimental drug offers opportunity to children living with achondroplasia","id":"791"},{"thumb":"https:\/\/thequo.com.auimages\/users\/388\/posts\/495\/495.png","title":"Rehearsal for revolution: How theatre can improve disability healthcare ","id":"495"},{"thumb":"https:\/\/thequo.com.auimages\/users\/388\/posts\/473\/473.png","title":"Surviving meningococcal septicaemia: Ripu\u2019s story ","id":"473"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/376\/376_thumb.jpg","title":"Does NDIS address the needs of traumatic brain injury thrivers?","id":"376"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/127\/127_thumb.jpg","title":"Skeletons and Self-Portraits: Emily Dash challenges representations of gender and disability","id":"127"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/100\/100_thumb.jpg","title":"Reading By Ear: 2RPH brings print media to life","id":"100"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/90\/90_thumb.jpg","title":"The Many Faces of Ableism","id":"90"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/229\/229_thumb.jpg","title":"Voices from the Fringes to the Heart of Advocacy: Centring lived experience","id":"229"}]},{"issue":"Homelessness","articles":[{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/Screenshot 2020-05-07 11.04.47.png","title":"How are Australian charities adapting to pandemic conditions? ","id":"734"},{"thumb":"https:\/\/thequo.com.auimages\/users\/536\/posts\/496\/496.jpg","title":"Homeless Period","id":"496"},{"thumb":"https:\/\/thequo.com.auimages\/users\/532\/posts\/469\/469.jpg","title":"A home for girls without a home ","id":"469"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/360\/360_thumb.jpg","title":"On My Feet: A unique approach to homelessness","id":"360"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/248\/248_thumb.jpg","title":"Holiday gifts that actually give","id":"248"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/253\/253_thumb.jpg","title":"A conversation with Orange Sky Laundry founders Nick Marchesi and Lucas Patchett","id":"253"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/227\/227_thumb.jpg","title":"Community gardening as therapy with Street Growth","id":"227"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/258\/258_thumb.jpg","title":"Indigenous disadvantage hits home","id":"258"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/264\/264_thumb.jpg","title":"Homelessness and digital inclusion","id":"264"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/236\/236_thumb.jpg","title":"Humanising Homelessness with Sydney's Safe Space Kitchen","id":"236"}]},{"issue":"Youth","articles":[{"thumb":"https:\/\/thequo.com.auimages\/users\/456\/posts\/499\/499.png","title":"Thyme for change: Schools plant local bush food gardens","id":"499"},{"thumb":"https:\/\/thequo.com.auimages\/users\/432\/posts\/494\/494.jpg","title":"Injecting Intersectionality into Art Practices ","id":"494"},{"thumb":"https:\/\/thequo.com.auimages\/users\/532\/posts\/469\/469.jpg","title":"A home for girls without a home ","id":"469"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/366\/366_thumb.jpg","title":"Championing children to reduce food waste","id":"366"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/361\/361_thumb.jpg","title":"Queer festival Fambo celebrates all kinds of families","id":"361"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/345\/345_thumb.jpg","title":"Grandmothers Against the Detention of Refugee Children","id":"345"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/335\/335_thumb.jpg","title":"The Sydney Story Factory teaches marginalised youth the art of storytelling","id":"335"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/312\/312_thumb.jpg","title":"No short-term solution for domestic violence","id":"312"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/248\/248_thumb.jpg","title":"Holiday gifts that actually give","id":"248"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/116\/116_thumb.jpg","title":"Beyond Adelaide's Fringe Festival: Girl Space and Sanaa","id":"116"}]},{"issue":"Arts & Culture","articles":[{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/Screen Shot 2020-08-24 at 8.25.15 pm.png","title":"Suzy Wrong of Hungry Ghosts on why we need more powerhouse roles for trans women on Australian television","id":"775"},{"thumb":"https:\/\/thequo.com.au\/images\/users\/388\/posts\/Screenshot 2019-09-16 13.36.30.png","title":"Australian reading hour: Rediscovering the joys of reading ","id":"584"},{"thumb":"https:\/\/thequo.com.auimages\/users\/388\/posts\/497\/497.png","title":"Bankstown Poetry Slam: A powerhouse of performance poetry ","id":"497"},{"thumb":"https:\/\/thequo.com.auimages\/users\/388\/posts\/495\/495.png","title":"Rehearsal for revolution: How theatre can improve disability healthcare ","id":"495"},{"thumb":"https:\/\/thequo.com.auimages\/users\/432\/posts\/494\/494.jpg","title":"Injecting Intersectionality into Art Practices ","id":"494"},{"thumb":"https:\/\/thequo.com.auimages\/users\/532\/posts\/485\/485.png","title":"Female voices of colour are making a groove on the nation's literary landscape","id":"485"},{"thumb":"https:\/\/thequo.com.auimages\/users\/538\/posts\/484\/484.png","title":"Is the actor an agent of colonisation who we are neglecting to address?","id":"484"},{"thumb":"https:\/\/thequo.com.auimages\/users\/381\/posts\/481\/481.jpg","title":"Supporting Minority Voices: Sydney theatre to watch in 2019","id":"481"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/364\/364_thumb.jpg","title":"Asian Australian art goes online","id":"364"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/361\/361_thumb.jpg","title":"Queer festival Fambo celebrates all kinds of families","id":"361"}]},{"issue":"Cost of Living","articles":[{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/image006.jpg","title":"Garment workers paying the price for fast fashion industry's COVID-19 collapse","id":"790"},{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/Screenshot 2020-04-10 15.08.59.png","title":"I go to the store to buy milk ","id":"668"},{"thumb":"https:\/\/thequo.com.auimages\/users\/378\/posts\/471\/471.png","title":"Lentil As Anything","id":"471"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/248\/248_thumb.jpg","title":"Holiday gifts that actually give","id":"248"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/236\/236_thumb.jpg","title":"Humanising Homelessness with Sydney's Safe Space Kitchen","id":"236"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/29\/29_thumb.jpg","title":"#WeLiveHere2017: Fighting for the Towers One Post at a Time","id":"29"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/28\/28_thumb.jpg","title":"A Violent Solution To The Housing Crisis","id":"28"}]},{"issue":"Human Rights","articles":[{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/image006.jpg","title":"Garment workers paying the price for fast fashion industry's COVID-19 collapse","id":"790"},{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/pablo-padilla-B0U_OFXXSNo-unsplash.jpg","title":"Bending the Bars marks forty years of the dicriminalisation of homosexuality in Victoria","id":"786"},{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/mick image.jpg","title":"Bloody hard work: Reforms and regulations desperately needed to solve farming labour crisis","id":"784"},{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/Screenshot 2020-05-15 13.47.59.png","title":"'Now is the time for empathy\u2019: new virtual museum to explore the UN\u2019s Human Rights declaration","id":"737"},{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/democracypendemic.png","title":"What does it mean to be a democracy during a pandemic?","id":"736"},{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/Screenshot 2020-04-17 11.41.34.png","title":"Telling her story: the podcast challenging stereotypes of female imprisonment","id":"673"},{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/Screenshot 2020-03-20 11.07.15.png","title":"Experts weigh in on what makes an effective protest ","id":"659"},{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/Screenshot 2019-09-25 17.27.51.png","title":"Denying Asylum Seekers Medical Treatment \u2013 the Medevac law","id":"586"},{"thumb":"https:\/\/thequo.com.auimages\/users\/388\/posts\/486\/486.jpg","title":"Fighting to end slavery in the 21st century ","id":"486"},{"thumb":"https:\/\/thequo.com.auimages\/users\/537\/posts\/482\/482.png","title":"An inside look at the Vixen Collective: the only peer-run sex worker organisation in Victoria","id":"482"}]},{"issue":"Alcohol & Drugs","articles":[{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/mona-miller-EfUwk0C3RE8-unsplash.jpg","title":"Australia, we need to talk about our drinking problem. ","id":"772"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/300\/300_thumb.jpg","title":"Read the Vibe: the fight to keep Newtown weird, safe and unapologetically queer","id":"300"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/296\/296_thumb.jpg","title":"Court for Cannabis: The fight for a chronic cure","id":"296"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/269\/269_thumb.jpg","title":"What would drug decriminalisation do to Australia?","id":"269"}]},{"issue":"Employment","articles":[{"thumb":"https:\/\/thequo.com.auimages\/users\/453\/posts\/493\/493.jpg","title":"Australia's Seaweed Warrior ","id":"493"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/377\/377_thumb.jpg","title":"Your Tradie Has A Story: Hedayat Osyan's Social Enterprise","id":"377"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/371\/371_thumb.jpg","title":"Rural Australians for refugees: an enduring model of support?","id":"371"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/360\/360_thumb.jpg","title":"On My Feet: A unique approach to homelessness","id":"360"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/241\/241_thumb.jpg","title":"GROW: A mental health initiative for Australia's refugees","id":"241"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/109\/109_thumb.jpg","title":"Online vs. Campus: Which degree is getting us further in the career ladder?","id":"109"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/131\/131_thumb.jpg","title":"Female garment workers have their voices heard in new documentary","id":"131"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/238\/238_thumb.jpg","title":"Travelling the world on Addison Road","id":"238"}]},{"issue":"Housing","articles":[{"thumb":"https:\/\/thequo.com.au\/images\/stories\/265\/265_thumb.jpg","title":"Deciding To Make A Difference","id":"265"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/236\/236_thumb.jpg","title":"Humanising Homelessness with Sydney's Safe Space Kitchen","id":"236"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/29\/29_thumb.jpg","title":"#WeLiveHere2017: Fighting for the Towers One Post at a Time","id":"29"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/28\/28_thumb.jpg","title":"A Violent Solution To The Housing Crisis","id":"28"}]},{"issue":"Policy","articles":[{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/image006.jpg","title":"Garment workers paying the price for fast fashion industry's COVID-19 collapse","id":"790"},{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/mick image.jpg","title":"Bloody hard work: Reforms and regulations desperately needed to solve farming labour crisis","id":"784"},{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/ANU EH.png","title":"Life not as you know it for Australia's international student community","id":"765"},{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/Screenshot 2020-04-21 10.45.25.png","title":"Experts offer unexpected solutions on how to increase public compliance and prevent a second wave of COVID-19","id":"674"},{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/Screenshot 2020-03-20 11.07.15.png","title":"Experts weigh in on what makes an effective protest ","id":"659"},{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/Screenshot 2020-03-19 15.36.50.png","title":"Climate Act Now ","id":"657"},{"thumb":"https:\/\/thequo.com.auimages\/users\/438\/posts\/504\/504.jpg","title":"A Brief History of Climate Terminology","id":"504"},{"thumb":"https:\/\/thequo.com.auimages\/users\/388\/posts\/503\/503.jpg","title":"Jews for Palestine: In conversation with Naama Carlin","id":"503"},{"thumb":"https:\/\/thequo.com.auimages\/users\/388\/posts\/486\/486.jpg","title":"Fighting to end slavery in the 21st century ","id":"486"},{"thumb":"https:\/\/thequo.com.auimages\/users\/537\/posts\/482\/482.png","title":"An inside look at the Vixen Collective: the only peer-run sex worker organisation in Victoria","id":"482"}]},{"issue":"Multiculturalism","articles":[{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/Screen Shot 2021-08-05 at 3.26.26 am.png","title":"Up-close Lena Cruz on The Unusual Suspects, Filipino culture and stardom","id":"809"},{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/ANU EH.png","title":"Life not as you know it for Australia's international student community","id":"765"},{"thumb":"https:\/\/thequo.com.auimages\/users\/388\/posts\/503\/503.jpg","title":"Jews for Palestine: In conversation with Naama Carlin","id":"503"},{"thumb":"https:\/\/thequo.com.auimages\/users\/532\/posts\/502\/502.jpg","title":"Multicultural Care","id":"502"},{"thumb":"https:\/\/thequo.com.auimages\/users\/388\/posts\/497\/497.png","title":"Bankstown Poetry Slam: A powerhouse of performance poetry ","id":"497"},{"thumb":"https:\/\/thequo.com.auimages\/users\/432\/posts\/494\/494.jpg","title":"Injecting Intersectionality into Art Practices ","id":"494"},{"thumb":"https:\/\/thequo.com.auimages\/users\/540\/posts\/492\/492.png","title":"Queer Muslims, Islamophobia and mental health in the wake of Christchurch","id":"492"},{"thumb":"https:\/\/thequo.com.auimages\/users\/539\/posts\/489\/489.png","title":"Three Australian Muslims talk solidarity after the Christchurch shooting","id":"489"},{"thumb":"https:\/\/thequo.com.auimages\/users\/532\/posts\/485\/485.png","title":"Female voices of colour are making a groove on the nation's literary landscape","id":"485"},{"thumb":"https:\/\/thequo.com.auimages\/users\/538\/posts\/484\/484.png","title":"Is the actor an agent of colonisation who we are neglecting to address?","id":"484"}]},{"issue":"Men's Health","articles":[{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/pablo-padilla-B0U_OFXXSNo-unsplash.jpg","title":"Bending the Bars marks forty years of the dicriminalisation of homosexuality in Victoria","id":"786"},{"thumb":"https:\/\/thequo.com.auimages\/users\/382\/posts\/487\/487.jpg","title":"Boys don't cry: Talking mental health in the barbershop","id":"487"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/369\/369_thumb.jpg","title":"The power of the mo: How Movember is saving men's lives","id":"369"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/367\/367_thumb.jpg","title":"#YesAllMen must take responsibility for the darker side of masculinity","id":"367"}]},{"issue":"Sex","articles":[{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/pablo-padilla-B0U_OFXXSNo-unsplash.jpg","title":"Bending the Bars marks forty years of the dicriminalisation of homosexuality in Victoria","id":"786"},{"thumb":"https:\/\/thequo.com.auimages\/users\/537\/posts\/482\/482.png","title":"An inside look at the Vixen Collective: the only peer-run sex worker organisation in Victoria","id":"482"},{"thumb":"https:\/\/thequo.com.auimages\/stories\/250\/250_thumb.jpg","title":"Sex workers face financial discrimination","id":"250"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/95\/95_thumb.jpg","title":"Sex workers speaking for themselves","id":"95"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/31\/31_thumb.jpg","title":"Is This Real Life Project","id":"31"}]},{"issue":"Discrimination","articles":[{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/image006.jpg","title":"Garment workers paying the price for fast fashion industry's COVID-19 collapse","id":"790"},{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/mick image.jpg","title":"Bloody hard work: Reforms and regulations desperately needed to solve farming labour crisis","id":"784"},{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/ANU EH.png","title":"Life not as you know it for Australia's international student community","id":"765"},{"thumb":"https:\/\/thequo.com.au\/images\/users\/359\/posts\/Screenshot 2019-10-28 18.59.39.png","title":"Strategic white tears: An interview with Ruby Hamad","id":"602"},{"thumb":"https:\/\/thequo.com.auimages\/users\/539\/posts\/489\/489.png","title":"Three Australian Muslims talk solidarity after the Christchurch shooting","id":"489"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/219\/219_thumb.jpg","title":"What is sexual racism?","id":"219"},{"thumb":"https:\/\/thequo.com.auimages\/stories\/250\/250_thumb.jpg","title":"Sex workers face financial discrimination","id":"250"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/268\/268_thumb.jpg","title":"The pay gap bowl-out in women's sports","id":"268"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/123\/123_thumb.jpg","title":"Sexual racism: Why do you swipe right?","id":"123"},{"thumb":"https:\/\/thequo.com.au\/images\/stories\/130\/130_thumb.jpg","title":"No to 'not all...'","id":"130"}]},{"issue":"Vaping","articles":[]}]
;
Story

Skeletons and Self-Portraits: Emily Dash challenges representations of gender and disability

Stories/127 , Issues/Women , Issues/Arts & Culture , Issues/Disability
PACT, Erskineville NSW 2043, Australia
23rd Aug 2017
Skeletons and Self-Portraits: Emily Dash challenges representations of gender and disability
Creative and disability advocate Emily Dash tackles the themes of identity and public perception in PACT Salon 2: Skeletons and Self-Portraits

Emily Dash is a creative who cannot be easily pinned to any one title - an artist, actor, writer, speaker and disability advocate who has also dabbled in filmmaking, she takes being a "slashie" to another level.

In her latest collaborative effort, she wears the hat of curator for the second event in the PACT Salon series, PACT Salon 2: Skeletons and Self-Portraits.

The series aims to explore how one's perception of them self often differs from the views of others. Emily has assembled a diverse group of artists who will tackle ideas of identity and public perception through performance, installation, exhibition and live music at an immersive mini-festival.

I caught up with Emily ahead of Skeletons and Self-Portraits to find out about what inspired this theme, and how she and the artists she has selected plan to explore it.

emilydash 1
Pictured: Emily Dash

"Particularly as a female artist with a disability I've realised that our perceptions of self can differ greatly from the way that others see us, and so I asked a bunch of artists to come and support me and create an event around that," Emily explained.

"I was really keen to have a female-led event...all my artists are female and that definitely plays into a lot of the work that they're doing and I feel that's really important...I really wanted to give a platform for female artists to express themselves."

The need to create space for female artists is not un-founded. The CoUNTless Report, released in 2016, revealed the existing extent of gender imbalance across the scope of contemporary arts in Australia. Drawing on statistical data from the nation's state and publicly funded museums, galleries, the commercial gallery sector, leading contemporary art spaces and artist run initiatives - the report uncovered glaring inequalities in the representation and opportunities offered to artists who are women.

PACT is one organisation that seeks to give a platform to under-represented artists. This is achieved by placing artists in the first five years of their practice at the centre of everything they do, and prioritising diversity, inclusion and an open door approach to their programming.

"Somewhere like PACT Centre for Emerging Artists is really good at pushing the boundaries and putting on events that are a bit edgy and out of the norm in wonderful ways, so I'm happy to be a part of that mission and I know that they have a long history of supporting female artists...my event is part of that."

emilydash 2
Photographer: Carla Zimbler

With her turn as curator for PACT Salon, Emily is choosing to showcase artists who inspire her personally, many of whom are not only women but are also part of demographics that are not as widely represented in more mainstream and traditional contemporary art spaces - albeit in ways that are not tokenistic.

Performance is the chosen vehicle for many of the artists involved in Skeletons & Self-Portraits. Kay Armstrong will be performing a movement-based piece around the concept of 'why I can't be famous' - "as an older female artist it's a sort of a tongue in cheek comment on the industry...and how it looks at age and gender."

Cheryn Frost is a young Indigenous artist who will be doing a performance around the theme of 'skeletons in my closet' - "looking at the secrets that people keep and what people want to keep hidden."

Emerging artist Brie Harris, so fresh she's completing her HSC this year, will also be presenting a performance piece, based around the ideals of female beauty and physicality - "I was really excited to be able to give her a platform to develop herself as an artist and she's come up with a really brilliant concept."

Dash has selected artists that are not only expressing experiences very unique to themselves, but that speak to the vast majority of people that may or may not see their struggles and experiences reflected or expressed.

One artist engaging with this theme head-on is Louise Kate Anderson, who identifies as having an invisible disability. "She'll be doing a durational installation around the artist letting the audience into her studio and asking her whatever questions they like around mental health and invisible disability, or really just anything they'd like, in order to break down stigma... I think that's a real engagement with the theme."

"I think for me the purpose of art is not only to reveal our own truths, but to do it in a way that helps others find something in theirs. So I think this [Skeletons and Self-Portraits] is a manifestation of that," said Emily.

emilydash 3
Photographer: Carla Zimbler

Emily makes no secret of the fact that her decisions regarding the artists she is drawn to work with are influenced by her own experiences in the art world. Artists with disability are greatly underrepresented in mainstream arts spaces. However, she is seeing change for the better is happening; change that she is benefitting from and paying forward:

"I think as an artist with a disability, and I've spoken to a couple of my colleagues about this as well, I think that it's a really exciting time to be in the industry because diversity is starting to get talked about and discussed [more widely] and that's starting to have a real flow-on effect. I've been lucky to be given so many opportunities lately and I really feel privileged to be a part of the conversation around diversity in the industry at the moment."

This palatable sense of hope and inclusion feeds through to the programming of Skeletons and Self-Portraits.

"I really want people to have an incredible night first off, but also find themselves challenged by some of the artworks that they see and really engage with the perspectives of the artists."

Emily's vision for PACT Salon 2: Skeletons and Self-Portraits is that "people can get something to eat, have a drink, chat to some people, and enjoy some really amazing artwork." Oh, and it will also be a masquerade! Guests are invited to explore ideas around identity by wearing a mask, or making their own at the event.

See the bigger picture

What you're saying Issues Nearby

Become part of the QUOmmunity

{"lat":"-33.89896420000001","lng":"151.18732390000002"}

There are currently no ${type} listed. Start promoting your ${type} with us by signing up to one of our subscription plans!

Your support keeps our unique approach to independent journalism accessible to everyone. Support independent media

Support independent media

Your support keeps our unique approach to independent journalism accessible to everyone.

No matter how small your donation amount is, rest assured that it will make a difference to us.

Support Us